The Meadow BuildingEdit profile
The Meadow Building (known as "Meadows" to undergraduates) is part of Christ Church, Oxford, England, looking out onto Christ Church Meadow. It was built in 1863 to the designs of Sir Thomas Deane in the Venetian style (favoured by the famous Christ Church art historian John Ruskin). Single rooms in the Meadow Building look out over either the college or the Christ Church Meadow, although originally, college undergraduates would be given a suite of rooms with views overlooking both sides. Recent building work has converted most of these rooms to ensuite while leaving one staircase, which is primarily non-residential, as was.
When it was first built, the relative distance of the Meadow Building from the more fashionable Peckwater and Canterbury Quads meant that it was considered the least desirable accommodation in college.Literary references
- "So I found myself installed in delightfully spacious rooms within the Victorian wing of an elegant Tudor college, with the beauty of the Christ Church Meadow spread panoramically on the other side of my window panes. The Meadows block was more tranquil in spirit than the rowdier atmosphere of Peckwater." The Marquess of Bath refers to the college in 1953, Strictly Private (2001)
- "I discovered the huge and ungainly pile of Ruskinian Gothic known as Meadow Building, where I would be spending the next two years. Blissfully ignorant of the social geography of the House, I did not realize that I had been relegated to the furthest outpost of the college demesne. From the lofty vantage point of the Old Etonians and Old Harrovians who lived in Peckwater and Canterbury I might just as well have been relegated to Siberia. My sitting room lay on the top floor of the last entry in Meadow Building." L Perry Curtis refers to the college in 1955, Christ Church Matters (2005)
- "Sebastian lived at Christ Church, high in Meadow Buildings. He was alone when I came, peeling a plover's egg taken from the large nest of moss in the centre of the table." Brideshead Revisited, Evelyn Waugh (1945)