Steepletop, or Edna St. Vincent Millay House was the farmhouse home of Pulitzer Prize-winning poet Edna St. Vincent Millay and her husband Eugene Jan Boissevain, in Austerlitz, New York, United States. Her former home and gardens are maintained by the Edna St. Vincent Millay Society. It was declared a National Historic Landmark on November 11, 1971. The Millay Colony for the Arts, founded in 1973 by Norma Millay Ellis, sister of the poet, is also located at Steepletop. The name Steepletop comes from a pink, conical wildflower that grows there. The main house is currently not open to the public, although a trail to Millay's grave is. The Society plans to open the house for tours once the home has been restored.

Steepletop is a 500-acre (200 ha) estate on a hilly, wooded area in the northeastern corner of the town near the Massachusetts state line, in the foothills of the Berkshires (although it is geologically within the Taconics). The property is abutted on some areas by Beebe Hill and Harvey Mountain state forests. It can be reached by taking partially paved East Hill Road to the main complex from the NY 22 state highway in the narrow valley to its west. East Hill leads through the Steepletop property, on a rolling section of cleared land in the middle of the woods. Its most visible building is the guest house on the east side of the road, currently used as the Millay Colony's offices. It is a two-story building, sided in shingles with a gabled roof and two exterior brick chimneys. To its southeast is a stable now used as a garage, with a second floor studio. A barn with curved roof is located on the northeast. Just north of it, across the road, is the main house, Millay's primary home during her years of residence. It is a two-story white clapboard- sided house with a steep gabled roof and central chimney, built into ground that rises up from the short unpaved driveway on the west. A one-and-a-half-story wing projects from the north. The four- bay west (front) facade has a single-bay, single-story gabled porch sheltering the main entrance, a doorway with sidelights and transom. The north wing has three shed-roofed dormer windows, an interior chimney and a single-bay, single-story projection on its west just north of the main entrance. Its north end has a double door and single window in the gable field. On the wing's east side is a screened porch with a single shed dormer above. Behind the main door is a small full-length hallway with stone floor. It is decorated with photographs of Millay and art objects collected by her and Boissevain, including a bust of Sappho and a desk made for Millay. An adjacent parlor has a wide brick mantelpiece and paintings of and by Norma Ellis and her husband Charles, who lived in the house after her sister's death. At the east end of the hall is the dining room. To its north is the kitchen, as remodeled by Ladies' Home Journal in 1948 for a feature story. Its pantry is to the west, with a small room containing a wood stove on the north. Beyond that is a large storage room with concrete floor, bathroom and closet. It contains file cabinets with recordings of readings of Millay's work. A stairway leads up to the second floor, with the library on the south. All its walls have shelves of Millay's books. At the northeast corner is her bedroom, which still has furniture she bought and dresses she wore to poetry readings. A newer bedroom, used by her sister and her husband, is to the west. Northwest of the house is a small one-story wooden cabin, used by Millay as a writing studio. It has a door at the west end, one window on the north face and two on the south. Within are a stove, chaise longue, bureau, desk and chair, and a table with magazines from 1949, all as Millay left it. Farther away from the house are two more buildings and Millay's grave. A gabled icehouse is to the north; the Ellises converted it into a workroom and storage space. West of the driveway is a swimming pool complex, with a roofed terrace Millay referred to as "the bar" and lawn she called "the dingle". Her gravesite is off a dirt road that branches off to the west from East Hill a thousand feet (305 m) north of the main house.

The guest house is believed to have been built in the late 18th century, considerably predating the main house, which is believed to have been built around 1870. Millay and Boissevain bought the property, which had been a 635-acre (257 ha) blueberry farm and moved in in 1925, after the period in which critics and scholars generally believe she had done her best work. She continued to write since the rural setting provided sufficient distance from the outside world, and the couple lived there except for periods of travel. The couple built the barn shortly after moving in, from a kit they bought from Sears. Millay grew her own vegetables in a small garden near the icehouse, and had the writing cabin built. The couple also had a tennis court built. After World War II, in the late 1940s, she left Steepletop less frequently. Boissevain died in 1949, making her even more reclusive in the year before she was found dead at the foot of the stair in the main house. The fall was the proximate cause of death, but what led to it is unknown. Her sister Norma and her husband, painter Charles Ellis, moved in afterwards. In 1973, they established Millay Colony for the Arts on the seven acres (2.8 ha) around the guest house and barn, which they continued to run through her death in 1986. During that time, in 1980, they renovated the barn into housing for visiting artists. In 1997 a disabled-accessible main building was built on colony property. The colony continues to offer one-month residencies to writers, visual artists and composers from the U.S. and other countries. The Edna St. Vincent Millay Society remains in charge of the main house, the outbuildings around it and the grounds as a whole. It intends to open those to the public as a historic house museum dedicated to Millay when it finishes restoring them. In 2003 the Friends of the Millay Society built the Millay Poetry trail along the dirt road leading to her grave, with excerpts from her nature poetry posted along the route, and opened it to the public.

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