Santa María la BlancaEdit profile
Santa María la Blanca (literally Saint Mary the White, originally known as the Ibn Shushan Synagogue, or commonly "The Congregational Synagogue of Toledo'") is a museum and former synagogue in Toledo, Spain. Erected in 1180, it is disputably considered the oldest synagogue building in Europe still standing. It is now owned and preserved by the Catholic Church.
Its stylistic and cultural classification is unique as it was constructed under the Christian Kingdom of Castile by Islamic architects for Jewish use. It is considered a symbol of the cooperation that existed among the three cultures that populated the Iberian Peninsula during the Middle Ages.Style
The synagogue is a Mudéjar construction, created by Moorish architects on Christian soil for non-Islamic purposes. But it can also be considered one of the finest example of Almohad architecture because of its construction elements and style. The plain white interior walls as well as the use of brick and of pillars instead of columns are characteristics of Almohad architecture. The typology also presents nuances in its classification, because although it was constructed as a synagogue, its hypostyle room, and the lack of a women's gallery, make it closer in character to a mosque. Though it does not have a women's gallery today, it did at one time have a women's gallery according to an early 20th century architect.
It became a church in 1405 or 1411, but no major reforms were done for the change. It took then the name of Santa María la Blanca (Saint Mary, the White), and today it is known by this name.Location
The synagogue at Santa Maria la Blanca is located on the outskirts of Toledo situated between the Church of San Juan de los Reyes and the Synagogue of El Transito. Other well-preserved, pre-expulsion synagogues can be found in Híjar, Córdoba and Tomar.Design
Santa Maria la Blanca was a wholly unusual synagogue, in both plan and elevation. The floor plan of the synagogue is an irregular quadrilateral divided into five aisles, with the central nave aisle slightly larger than the remaining four. The space runs between 26 and 28 meters long and between 19 and 23 meters wide. The interior features a series of arcades supported on a network of twenty-four octagonal piers and eight engaged piers. These octagonal supports line the central aisle of the synagogue and support the large arcade of horseshoe arches above. The arches rest on intricately detailed capitals with finely carved pinecones and other vegetal imagery. These capitals are Mudéjar in style and are derived from classical, Corinthian antecedents as well as Byzantine concepts.Stylistic origins
The exact origins and original specifications of the synagogue prove difficult to place. Evidence points toward a construction date sometime in the late twelfth century or early thirteenth century. One commonly accepted opinion is that the temple was erected sometime around 1205, as documents from the time mention a "new", great synagogue located in Toledo. Another theory arises from a wooden tablet found in the area that describes a new structure saying, "Its ruins were raised up in the year 4940" . This date is not irrational as the structure's style is closer to that of Moroccan monuments of the twelfth century such as Tinmal (1153) and Kuturbiyya (1150). If this inscription indeed refers to Santa Maria la Blanca, then the synagogue may in fact be a refabrication of an existing building or a new building located on the same plot as a demolished one. Whether the synagogue's layout might have been lifted from a preexisting mosque located on the same site is still unclear and purely hypothetical.Patron
It is also somewhat unclear who might be the patron of the original synagogue, although evidence does prefer to identify Joseph ben Meir ben Shoshan, or Yusef Abenxuxen, as the original patron. Joseph was the son of a finance minister to King Alfonso VIII of Castile who, upon his death in 1205, recorded having built a synagogue. Some theories suggest Joseph rebuilt the temple after an uprising against Jews in Toledo. This reasoning may be the cause for the building's irregular floor plan and again points to a late-twelfth century construction. Other historians, such as L. Torres Balbas, note similarities between the plaster work in the aisles of Santa Maria la Blanca and the convent Las Huelgas of Burgos of a later date around 1275. However, the scale and proportion of the ornament, the nature of the ornamentation, the blank canvas against which the ornament is placed, as well as the way in which light is used in the space all correspond to structures contemporary with the earlier construction date.Photo gallery
Wall next to Jerusalem
Detail of the architecture