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Palace of International Forums "Uzbekistan"Edit profile
The Palace of International Forums “Uzbekistan` stands on Amir Timur Square in the very center of Tashkent. The country’s most important representative building is designed as a platform for hosting acts of state, congresses, conferences and other cultural highlights. Our task was to give the interior on a net external area of 33.700 sqm a contemporary form, while incorporating elements from traditional Uzbek architecture. The result is a cosmopolitan, communicative interior clothed in exclusive materials. Planar ornamentation, organic movement, crystals, precious metals and a fascinating interplay of artificial and natural light all become a source of inspiration. Ornamentation is applied throughout the building in a diverse variety of possibilities and materials to provide stylistic elements of the country’s culture. Classical in its external appearance, the building prepares for the modernity within through the extensively glazed façade. Behind illuminated façade columns of Thassos marble a similarly weighty epochal semicircular Swarovski chandelier dominates the main foyer. Gigantic and contrastive, the two structural elements of columns and chandelier, conjunctions of various architectural traditions, introduce syntheses of Western and Eastern culture. The spectacular chandelier with its nine-metre height and 23-metre length outlines the longitudinal axis of the foyer. This unique piece was created from 1.1 million Swarovski crystals. Reflecting the front of the building, a gallery marks the longitudinal axis. The element that does most to give the building its identity and also the building’s largest room is the 1,850-seat Auditorium. With the “house within a house` the generous palace architecture – softer and organic – finds a counterpart in the interior. Plastically bulging out, the body of the hall asserts itself in the exterior area of the main foyer and gallery. Its skin – the world’s largest liquid metal surface – measures 2,000 square meters. The cupola, historically an important detail in the Uzbek culture of construction, also integrates functionality with new aestheticism. Arranged above one another and offset to each other, circumferential fasciae bind together the stage and auditorium to form one entity. Multilayered and illuminated from behind, the cupola fasciae ensure both good room acoustics, since they absorb sound completely, and sublime lighting atmosphere.
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