ORDOS 100 #4

Mass media and architectural tourism are as much of the project’s context as the urbanization of the Ordos plains of Inner Mongolia.


The building responds to the intersection of these economies by articulating a variable relation between private and public or “privacy and publicity.” The building alternates between a state of radical interiority providing an introvert retreat that gives away no image; and a state of total exhibitionism that publicly exposes its interiors


A series of pathways and spaces are carved out of a slanted platform of artificial landscape. A central…...


18 photos and 12 drawings