British Embassy, WarsawEdit profile
The new British Embassy Warsaw was built by Mace Group – the Foreign & Commonwealth Office’s Strategic Partner for Construction. It was designed by Stirling Prize nominee Tony Fretton Architects, with a team of British and Polish consultants and including Buro Happold and Schoenaich Landscape Architects Ltd. Porr Polska acted as Mace’s principal sub-contractor.
Set in its own grounds facing onto Ulica Kawalerii on one side and a park on the other in an area of the city devoted to embassies, the building has a serene and formal quality. Its long form is centralized by an attic in an elementally neo-classical way and underlined by the longer figures of the walls and railings enclosing the site. The building is explicit in its conservation of energy; its glass elevations function as the outer skin of a double façade, which provides substantial thermal insulation in winter and relieves heat in the summer. The outer layer, delineated by pale bronze aluminium mullions and mirror glass reflects the sky and trees of the surrounding gardens. Behind this is a more substantial façade of windows set between solid piers and spandrels in a modulated composition of a similar palette. The pale polychromy of this arrangement is a distant relative of the painted stucco buildings of the school of Schinkel, which can be seen across Europe from the Hague to Oslo and here in Warsaw.
One enters the Embassy grounds through a Gate House on Ul Kawalerii. A carriageway leads to a stone clad porte cochère at the centre of the façade. The ground floor is reserved for public activities and features a large space for exhibition and events, and a café that opens onto the garden. Occupying the remainder of the ground floor is the area for Consular Section and UK Border Agency complete with a public waiting area accessed via its own entrance from a route through the grounds. The administrative offices of the Embassy are located on the first and second floor. With an acoustically absorbent ceiling, carpeted floor and double façade, the offices are places of calm efficiency. Workspaces are amply lit with daylight from the glass facades and two generous planted courtyards in the centre of the plan. In the attic at the second floor is the Ambassador’s suite, which looks out on either side to extensive roof terraces. A variety of material finishes are used in the interior. Structural columns are expressed and the windows set between them have mullions and spandrels in light bronze anodised aluminium. The floors are terrazzo or carpeted. The foyer coat cupboard and café screen are made of walnut panels.
Each floor has its own identity through the association between its parts and their relations to the outside world. Public spaces in the ground floor flow from one to another and into the grounds. Open office space in the first floor is given a degree of separation by the interior courts. In the comparatively small Ambassador’s suite the offices will have the scale and quality of cabinets, a theme that continues in the small spaces for sitting that are cut out from the wide areas of planting filling the roof terraces on either side. In its larger form the roof planting relates the terraces to the grounds around the Embassy and the park beyond. With these simple gestures, the Embassy maintains its role in the culture and fabric of Warsaw.